Art is for me a transitive reflection of reality
that oscillates in:between illusion,
and the multidimensional relevance of perception.
I am working on potentiality of real.
JOANNA WLASZYN
EN
Studio IN:TRANSITIVITY was created by JOANNA WLASZYN, an interdisciplinary post-digital artist who comes from architectural background. Drawing on the theoretical concepts indirectly involved in her projects, Joanna Wlaszyn employs different traditional and digital medias to realize hybrid artworks and installations. Her artistic practice demonstrates an active engagement with continually evolving post-digital culture. By merging various traditional and digital technics, she explores different modes of perception based on various phenomena such as visual simulation, conceptual speculation or ubiquity and simulacra. Creating the possible interpretations of what’s real Wlaszyn’s work melds the visual language and conceptual experiment in alternative representations. Joanna Wlaszyn has studied architecture, art and new media design. She holds a PhD in Critical Theory of Architecture from University Paris-Est and a master degree MS in New Medias Art & Design from Ensci in Paris. She is also the author of scientific publications, which explore the multifaceted impact of digital technologies on the disciplines of art, design and architecture. Born in Poland, she lives and works in Paris.
IN:TRANSITIVITY represents states of interdependence in:between
reality, fiction, interpretation, and speculation.
EXHIBITIONS
19 janvier 2022 — NFT exposition
F@CELESS: A MIRROR OF LIQUID IDENTITES curated by Art.army
Online
3rd — 9th August 2021
Virtual Exhibition BEYOND ART curated by THE HOLLY ART in London
Online
1st Novembre 2019 — 1st March 2020
IN ABSENTIA The Wrong Biennial Pavillion
Online & Italie
31st October - 4th November 2019
YIA - YOUNG INTERNATIONAL ART FAIR, Paris
France
8th March – 14th July 2019
The Aesthetica Art Prize Exhibition at York Art Gallery, York
England
FEBRUARY 3rd 2018
Exhibition SOS ART, Espace Faune Montreuil
France
OCTOBER 6th — 14th 2018
Exhibition INSTANTS 2.0 at Mi*Gallery in Paris
France
OCTOBER 6th — 8th 2017
Collective Art Exhibition PARISARTISTES# Paris
France
MAI 3th — 26th 2017
Exhibition SHE INSPIRES at the THE UNTITLED SPACE Gallery, New York, USA
OCTOBER 8th — 15th 2016
Exhibition THE ZONES OF VISIBILITY at the Gallery STUDIO ON-OFF in Paris
France
OCTOBER 7th — 9th 2016
Collective Art Exhibition PARISARTISTES# at BASTILLE DESIGN CENTER in Paris
France
MAY 6th — 29th 2016
International Exhibition on Conceptual Art “Concept” at the CICA Museum Gimpo-si,
South Korea
MAY 19th — 22nd 2016
Digital Image Exhibition at Athens Digital Arts Festival ADAF 2016
Building Complex Gate Ermou 117-121, Athens
Greece
NOVEMBER 28th-28th 2015
Exhibition STR'OFF « Dans tous les sens » Strasbourg
France
MARCH 12th — April 12th 2015
Artifact Exhibition at Biennale Internationale of Design Saint-Étienne
France
DECEMBER 11th 2014 — January 3rd 2015
SNAP TO GRID LACADA Center For Digital Art Los Angeles
USA
JANUARY 12th — 31st 2011
Land Art Generator Initiative Exhibition, National Exhibition Centre, ADNEC
Abu Dhabi
FEBRUARY 28th — March 9th 2008
The International Exhibition of Urban Streetscape Design,
Exhibition Centre HKCEC, Hong Kong
China
JULY 13th — 22nd 2007
Lightouch Design Exhibition Changi Exhibition Centre
Singapore
NOVEMBER 10th — 30th 2006
Images, Objects, Spaces Exhibition ENSCI/Les Ateliers Paris
France
REFERENCES
Interview in Al-Tiba9 Art Magazine ISSUE 08. Mai 2021, P 10-15.
FUTURE NOW. The Aesthetica Art Prize Anthology 2019. p.102-103
ART YELLOW BOOK#3. Artist Book. Art Space, CICA Museum Edition. Mars 2017,p.48-50
AVERAGE ART MAGAZINE N°8, March 2017. P.11
Interview in NOT RANDOM ART: The contemporary art review. July-August 2016, P. 46-55:
https://www.joomag.com/magazine/not-random-art/0913949001469544949?short
SÜESS, Manuel. Exploring the possible interpretations of reality. Blog Magazin über Kunst und Künstler aus aller Welt March 29, 2016. http://the-art-blog.info/3888/joanna-wlaszyn-exploring-the-possible-interpretations-of-reality/
SIMENEC, Christian. La biennale de Saint-Étienne au beau fixe. Le Journal des Arts. n°432-27. Mars 27, 2015
FRANÇON, Patrick. Le design se refait une beauté. Loire magazine n°110 mars/avril 2015 P.8-9
OGROCKA, Angelika. Doświadczanie piękna. Design Alive. Magazyn Pięknych Idei, NR.14. April 12, 2015. http://www.designalive.pl/saint-etienne-biennale-doswiadczanie-piekna-zdjecia/
KOH, Rachel & SHE-REEN, Wong. The Time is Now: Public Art of the Sustainable City. Page One Edition, 2011. P. 206
LAYLIN, Tafline. When Abu Dhabi Art Meets Sand, Sun, and Sky. Green Prophet. August 26, 2010 http://www.greenprophet.com/2010/08/abu-dhabi-s-flow/
PUBLICATIONS & CONFERENCES
WLASZYN, Joanna. Réception technologique : une dimension (in)visible de la pensée architecturale à l’époque digitale. In: BOISSIEU de, Aurélie, DESHAYES, Catherine & TUFANO, Antonella (dir). Mutations du projet. Milieux et cultures numériques. Presses Universitaires Nancy 2015, p. 65-79.Paris
WLASZYN, Joanna. Future in the Past: Framing Digital Media, Art and Architecture. In: New Media Histories/Historie Nowych Mediów, Lódz, Poland, 2014
WLASZYN, Joanna. L'objet architectural 'ambiantionel' — Performances et variabilités technologiques de l'ambiance. In: THIBAUD, Jean-Paul & SIRET, Daniel (ed). Ambiances in action / Ambiances en acte(s). Edition Jouve, 2012. P. 545-551
WLASZYN, Joanna. Re-thinking metaphor, experience and aesthetic awareness. Kybernetes, 2011, Vol. 40, no 7/8, p. 1196 - 1206
WLASZYN, Joanna. Displaying Identities: Intersections Between Art and Architecture. In: The Digital Age in The Multiple Faces of Identity In The Designed Environment. Nottingham Trent University, 2009. (Paper + CD-ROM)
WLASZYN, Joanna. Architecture and Technology: Questions about Representations. In: JACQUET, Benoît & GIRAUD, Vincent (ed). From the Things Themselves. Architecture and Phenomenology. Silkworm Books, 2012. P. 195-213
WLASZYN, Joanna. Technological Reception of Architecture: Beyond The Digital Representation. Design Principles and Practices: An International Journal, Vol. 3, no 1, 2009. p. 213-230
FR
Studio IN:TRANSITIVITY a été crée par JOANNA WLASZYN, une artiste interdisciplinaire qui vient du milieu architectural. Se basant sur les concepts théoriques indirectement impliqués dans ses projets, Joanna Wlaszyn emploie différents médias traditionnels et numériques pour réaliser des œuvres hybrides et des installations. Sa pratique artistique démontre un engagement actif dans la culture post-numérique en constante évolution. En fusionnant diverses techniques traditionnelles et numériques, Joanna Wlaszyn explore les modes de perception en fonction de phénomènes divers tels que la simulation visuelle, la spéculation conceptuelle ou l’ubiquité des simulacres. En créant des interprétations possibles de ce qui est réel, son travail mêle le langage visuel et l'expérience conceptuelle dans des représentations alternatives. Joanna Wlaszyn a étudié l'architecture, l'art et la conception en nouveaux médias. Elle est titulaire du doctorat en théorie et critique architectural de l'Université Paris-Est et du mastère spécialisé en création et technologie contemporaine de l’Ensci à Paris. Elle est également l'auteur de publications scientifiques qui explorent l'impact multiforme des technologies numériques sur les disciplines de l'art, du design et de l'architecture. Née en Pologne, elle vit et travaille à Paris.
IN:TRANSITIVITY représente des états d'interdépendance entre
la réalité, fiction, interprétation et spéculation.
EXPOSITIONS
19 janvier 2022 — NFT exposition
F@CELESS: A MIRROR OF LIQUID IDENTITES curated by Art.army
Online
3 — 9 août 2021
Exposition virtuelle BEYOND ART organisé par THE HOLY ART à Londres
Online
1er novembre 2019 — 1er mars 2020
IN ABSENTIA The Wrong Biennial Pavillion
En ligne & Italie
31 octobre - 4 novembre 2019
YIA – YOUNG INTERNATIONAL ART FAIR, Paris
France
8 mars – 14 juillet 2019
The Aesthetica Art Prize Exhibition at York Art Gallery, York
Angleterre
3 FÉVRIER 2018
Exhibition SOS ART, Espace Faune Montreuil
France
6 — 14 octobre 2018
Exposition INSTANTS 2.0 à Mi* Galerie, Paris
France
6 —8 octobre 2017
Exposition collective PARIS ARTISTES#, Paris
France
3 — 26 mai 2017
Exposition SHE INSPIRES, galerie THE UNTITLED SPACE, New York, USA
8 — 15 octobre 2016
L'exposition ZONES DE VISIBILITÉ à la galerie ON-OFF STUDIO à Paris
France
7 — 9 octobre 2016
L'exposition collective PARISARTISTES# à BASTILLE DESIGN CENTER à Paris
France
6 — 29 mai 2016
Exposition internationale sur l'art conceptuel "Concept" au CICA Musée Gimpo-si
Corée du Sud
19 — 22 mai 2016
Exposition Digital Image durant Athens Digital Arts Festival ADAF 2016, à l'historique Building Complex Gate Ermou 117-121 Athens
Greece
28 — 29 novembre 2015
Exposition STR'OFF « Dans tous les sens » Strasbourg
France
12 mars — 12 avril 2015
Exposition Artifact à la Biennale Internationale de Design Saint-Étienne
France
11 décembre 2014 — 3 janvier 2015
SNAP TO GRID LACADA Center For Digital Art Los Angeles
USA
12 — 31 janvier 2011
Land Art Generator Initiative Exhibition, National Exhibition Centre, ADNEC
Abu Dhabi
28 février — 9 mars 2008
The International Exhibition of Urban Streetscape Design
Exhibition Centre HKCEC, Hong Kong
Chine
13 — 22 juillet 2007
Lightouch Design Exhibition Changi Exhibition Centre,
Singapour
10 — 30 novembre 2006
Images, Objects, Spaces Exhibition ENSCI/Les Ateliers, Paris
France
BIBLIOGRAPHIE
Entretien dans Al-Tiba9 Art Magazine ISSUE 08. Mai 2021, P 10-15.
FUTURE NOW. The Aesthetica Art Prize Anthology 2019. p.102-103
ART YELLOW BOOK#3. Artist Book. Art Space, CICA Museum Edition. Mars 2017, p.48-50
AVERAGE ART MAGAZINE N°8, March 2017. P.11
Entretien dans NOT RANDOM ART: The contemporary art review. Julliet-Aôut 2016, P. 46-55 :
https://www.joomag.com/magazine/not-random-art/0913949001469544949?short
SÜESS, Manuel. Exploring the possible interpretations of reality. Blog Magazin über Kunst und Künstler aus aller Welt March 29, 2016. http://the-art-blog.info/3888/joanna-wlaszyn-exploring-the-possible-interpretations-of-reality/
SIMENEC, Christian. La biennale de Saint-Étienne au beau fixe. Le Journal des Arts. n°432-27. Mars 27,
2015.
FRANÇON, Patrick. Le design se refait une beauté. Loire magazine n°110 mars/avril 2015. P. 8-9
OGROCKA, Angelika. Doświadczanie piękna. Design Alive. Magazyn Pięknych Idei, NR.14. April 12, 2105. http://www.designalive.pl/saint-etienne-biennale-doswiadczanie-piekna-zdjecia/
KOH, Rachel & SHE-REEN, Wong. The Time is Now: Public Art of the Sustainable City. Page One Edition, 2011. P. 206
LAYLIN, Tafline. When Abu Dhabi Art Meets Sand, Sun, and Sky. Green Prophet. August 26, 2010 http://www.greenprophet.com/2010/08/abu-dhabi-s-flow/
PUBLICATIONS & CONFERENCES
WLASZYN, Joanna. Réception technologique : une dimension (in)visible de la pensée architecturale à l’époque digitale. In: BOISSIEU de, Aurélie, DESHAYES, Catherine & TUFANO, Antonella (dir). Mutations du projet. Milieux et cultures numériques. Presses Universitaires Nancy 2015,
p. 65-79.Paris.
WLASZYN, Joanna. Future in the Past: Framing Digital Media, Art and Architecture. In: New Media Histories/Historie Nowych Mediów, Lódz, Pologne, 2014.
WLASZYN, Joanna. L'objet architectural 'ambiantionel' — Performances et variabilités technologiques de l'ambiance. In: THIBAUD, Jean-Paul & SIRET, Daniel (ed). Ambiances in action / Ambiances en acte(s). Edition Jouve, 2012. P. 545-551.
WLASZYN, Joanna. Re-thinking metaphor, experience and aesthetic awareness. Kybernetes, 2011, Vol. 40, no 7/8, p. 1196 - 1206.
WLASZYN, Joanna. Displaying Identities: Intersections Between Art and Architecture. In: The Digital Age in The Multiple Faces of Identity In The Designed Environment. Nottingham Trent University, 2009 [Paper + CD-ROM]
WLASZYN, Joanna. Architecture and Technology: Questions about Representations. In: JACQUET, Benoît & GIRAUD, Vincent (ed). From the Things Themselves. Architecture and Phenomenology. Silkworm Books, 2012. P. 195-213.
WLASZYN, Joanna. Technological Reception of Architecture: Beyond The Digital Representation. Design Principles and Practices: An International Journal, Vol. 3, no 1, 2009. p. 213-230.